The medium ending explained full#While all these and other things are happening around Nim and her family, they are constantly followed by the cameras of several crew members of the documentary in the film, who are somehow allowed to get full access to almost everything without much ethical consideration. As Mink’s circumstance becomes worse and worse, Noi tries her best to keep things under control, but, of course, she eventually begins to wonder whether she made a big mistake when she refused to carry that family obligation. While she looks mostly fine on the surface, Mink has been behaving rather weirdly, and Nim later witnesses a very odd and disturbing incident from Mink during the following night.Īs her niece keeps behaving weirdly day by day, Nim is convinced that her niece is experiencing something not so far from what she had a long time ago, so she tries to handle this situation for herself, but that is not welcomed much by her older sister, who adamantly refuses to believe all those shamanism stuffs in her younger sister’s spiritual world. When Nim subsequently attends the funeral of Noi’s recently diseased husband, she and Noi remain estranged from each other, and they do not interact well much with each other as reflected by a brief moment when Noi’s only daughter Mink (Narilya Gulmongkolpech) delivers a note from Noi, but then Nim gradually comes to sense something wrong from Mink. According to her, the women in her family have been destined to become shamans, or “mediums”, to represent a certain local god who is simply one of numerous supernatural entities out there, and we hear about how she eventually became a shaman instead of her older sister Noi (Sirani Yankittikan), who incidentally escaped to Christianity after refusing to carry their family obligation. The medium ending explained movie#Mainly through a local female middled-aged shaman named Nim (Sawanee Utoomma), the movie shows and tells us a bit of what she and many other local have believed for years, and then we see how she earns her meager living via giving others some spiritual help. Like several recent horror films about exorcism such as “The Last Exorcism” (2010), the movie is a mix of found footage and mockumentary, and its first act begins as a standard local culture documentary on the shamanism in rural Thai areas. No, I do not mind being scared or challenged as watching those dark horror films willing to shock or repulse audiences by any means necessary, but, boy, this dreck gave me one of the most tedious and uninteresting experiences I have had during this year. The more I reflect on its many supposedly scary and intense moments, the more the movie feels vulgar, exploitative, and reprehensible in numerous aspects, and I am still regretting over wasting 2 hours of my life at last night. Thai filmmaker Banjong Pisanthanakun’s new film “The Medium”, one of the most anticipated horror films of this year to me and many other South Korean audiences due to its South Korean co-producer Na Hong-jin (Remember “The Chaser” (2008) or “The Wailing” (2016)?), is a hollow and unpleasant geek show to say the least.
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